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Welcome to my blog about art and design. Get inspired for your next project and see what I'm working on and teaching about right now.

SOARING

Painting a mural for ARTPRIZE 2012

Brenda Sipe and I decided to team up for ARTPRIZE 2012 and collaborate on a mural. Our concept evolved over the course of the creative process but we started with the idea of what it must feel like to be a bird. SOARING became a landscape seen from the sky with recognizable elements from the West Michigan area. The style was realism mixed with expressionism and we decided to work together across the entire mural painting and repainting as we discussed the outcome.


 Pastel concept sketches of birds and landscape


 We worked hard at finding the best venue in the city center area. Since Brenda had exhibited at the Amway in the past they were interested and suggested we put a mural on the outside of the building. This had never been done before and we jumped at the chance. The only catch was they wanted us to attach our mural without drilling into the building. No screws or nails could penetrate the building surface and we were required to leave it exactly as we found it.


Cost was an issue now since we were not going to be painting our mural directly onto the surface. We had to purchase materials to paint on and the structure to hold our mural in place. We also decided to attach lighting overhead since there wasn't adequate lighting at night. This was no small feat since the mural ended up being almost 12 feet high and 37 feet wide. Kickstarter looked like the best option to help us raise funds. Our Kickstarter page shows what we did and how it worked. If you go there click on the "updates" tab to see photos and progress reports.



Brenda connected with a great place to use as our temporary studio. It was an empty store in a strip mall. The only requirement was leaving the building the same as we found it and paying about $300 for utilities. We spent as much time there as possible and worked at all hours for two months.  We put posters in the windows and let passersby stop in and check on our progress. Terry and Wenday Brennan also shared our space for a few weeks. They came all the way from South Carolina to participate in ARTPRIZE.

We came up with a plan to make our mural look like a floating series of panels. Six large columns were used as the base of the structure from the ground up to a 13 foot overhang. The columns were square and telescoped out to create tension which held them in place. We then attached another dimensioned structure made of 2 x 4s. This structure created the dimensions needed for the mural panels. The mural was painted on 16 different panels and there were about 4 different levels of dimension when completed.



The first brush strokes by Brenda

I worked no the hand holding the nest.


Brenda and I seeing the light at the end of the tunnel.

Snowy Egrets fly over the river.


Close to finished and still have paint left. We went through many bottles and tubes and jars of acrylic.


SOARING on display at ARTPRIZE 2012


Casting the face of FACE ME for ArtPrize


We're casting the face and hands today. Dan, my son, is the model and one of his little girls, Esther, is on the scene. His wife, Miriam, is videotaping. 
Tomorrow I build the frame for the the face and hands and work on adjoining them to the metal body.

Dan, my son is modeling for the face of FACE ME and his daughter and I are talking about it. She doesn't like the way he is looking right now.

Welding the joints for ArtPrize sculpture, FACE ME


The face isn't ready today but you can see the arms taking shape. Look at how they move!
The frame and casting of the face will start this week so for sure you will see something on Saturday.



Getting your name on FACE ME for ArtPrize


Everyone that pledges even a dollar gets their name on the sculpture. This is a new option that I am adding to the backer rewards. 
If you would like to have a business name, website, or loved one's name that's fine too. Once the fund raising campaign is finished I will contact you to get your info. 
Even if the project is not fully funded (in which case you get your money back and I get nothing) you will still get your preferred name on FACE ME. That's because I want everyone that is cheering me on to be recognized. 
The sculpture FACE ME is on track to be finished and exhibited at ArtPrize whether the Kickstarter Campaign is successful or not so be assured that you will get to see the sculpture live at ArtPrize this year!!
So far this is a list of names that are supporting FACE ME:
Paula Bjorlie, Cheri Antozak, Prairieside.com, Bernadette Veenstra, Laura Harmon, Nicole G., Joan Raveling, Sherri Jason, Crawford Paul, Bridgecourt.com, Pearson Photography, A Children's Crusade, Nathan Donahue, Joshua Evans, Paul Evans, Julie Evans, Melching Demolition; Doug, Nick, Brock, Chris, Keller Ford; Drew, Jack's Service, Northend Transmission; Dave Sherd, Doug Dixon, Harrison Veenstra, Evelyn Townsend, Maggie Donahue, and tons of people who "Like" FACE ME on Facebook.
Anybody missed? Let me know right away! Want to help? Please comment on ~ http://www.kickstarter.com/projects/annadonahue/face-me-artbeing-kinetic-sculpture-touch-to-begin/

ArtPrize skeleton, FACE ME; Artbeing

The head which will just be a face is not going on for awhile. Until then I think I'll add a temporary mask. Next up is some work on the arms and working on the joints.

HOT CAT! Don't worry, the forge is not fired up yet.
Did you see how beautiful the sky looked today? Blue in Michigan!! Breezy and 70s. Loved being outside working on the sculpture.
The skeleton is almost finished and the fine work will start this week. There's all kinds of thin metal stripping that will be wound around the skeleton to give it life.

Michigan and ArtPrize


Isn't this scenery nice? You get to watch these beautiful trees turn fall colors as I work on FACE ME for ArtPrize.
This is the fun part- bending the steel and making the shapes for the sculpture. The forge is heating up and now the parts are fitting together nicely. The forge is filled with coal and the fire needs to be stoked for about a half hour before it's hot enough. Then the steel is placed right on the coal for a few minutes until it is red (really!!) hot. The steel is then taken to the anvil and pounded out and bent to the shape desired. 


 Heating the metal on the forge takes a few minutes.
 This iron is RED HOT! Right off the forge and ready to bend once I know the shape I want to make.
Paul Evans is helping me with the assembling process. We're at his place in the Byron Center area south of Grand Rapids, Michigan.

Kanoa and the Moth is a bronze sculpture created for ArtPrize. Kanoa means "the free one" in Hawaiin. He has found a giant moth and is caging it in his hands and is just about to let it go free. The sculpture weighs about 215 pounds and is designed to be exhibited outdoors near a pond or in a garden.


Welding burns!


Here's a short video that shows how much fun we're having. Sorry about the crazy angles but at least you can see a little bit of what's happening. 
Next time I'll show you the face and hands of FACE ME.

 Paul and Joshua Evans are welding a joint while I take the video.

ArtPrize Critics don't like the top ten


I will take photos of the top ten so you can see what everyone is so up in arms about-
 
I must tell you I agree with the critic on this but it is hilarious to read!
and if you would like to read more about each piece the home page of ArtPrize.org
Here's one that's not top ten but the critics would have loved to see it there. I was really interested in this piece of art because it uses sound and it's interactive. Everyone was engaged in finding out more about this piece and walking into and through the art installation. 
Urban Center for Contemporary Arts is a brand new facility with galleries, a theatre and loft apartments. It's a major ArtPrize exhibitor so I tried to show some of the artwork there with the live feed laptop cam but the quality was not too hot sooooo…. here's a 3 minute video taken with my camera that shows an interesting exhibit I saw there today. 
The sound and sculpture installation is called Wappen Field. You can pause the video when the artist statement is shown to read about it….that is if you can understand "artspeak." 
Artspeak is my new favorite word. This is what I call art gobbledygook. It's not that artists don't have something significant to say it's just that they (we) have such a hard time verbalizing these complicated concepts. (and also want to sound really intellectual and elevated)
So enjoy this video and as you listen you will hear some strange musical sounds that come from the helmets. 

FACE ME; Artbeing at ArtPrize 2011

The orange and gold kinetic sculpture is now on display on Monroe Avenue across the street from the Amway Grand Plaza.



Find your name on the sculpture and see how it moves with the human touch.

The message is about people losing out on face to face interaction because of this modern era of communication. Are we just plain lazy or is the need not there?

The sculpture is made of metal and turns on a base plus moves at the elbows, wrists and neck. The face and hands are cast from a live model so they look realistic but the rest of the body is a tangled mass of metal strips.


FACE ME is ready!

Face Me is ready to be installed at ArtPrize 2011. We are taking it downtown tomorrow (becasue it's raining today and I want to make sure the paint is dry)

Good news! Face Me is one of only a handful of ArtPrize projects to make it on Kickstarter. They helped me raise the funds for Face Me and here's the video that was posted for the project campaign. Over 30 people signed up as backers for the ArtPrize sculpture and we raised enough to pay almost all the expenses.



I hate to say it but there was about $900 devoted solely to gasoline for my Ford explorer. I need a big vehicle to haul around all the stuff and the finished sculpture itself.






ArtPrize 2011; FACE ME; Artbeing. Process

The process of building FACE ME; First I came up with a concept….
Then I decided what to make it out of and looked for places to find the materials I would need….


Next I looked for people who would like to get involved. Lots of people said, "I can help!" Drew from Keller Ford helped me with used parts. He talked to the mechanics and found all kinds of cool stuff.


  Joshua and Paul Evans said, "Sure! We love to weld and cut and bend steel. We can help." 


Then I designed some fun stuff to give away to my supporters. Miriam Yisel models the medallion that the supporters of FACE ME get. Kickstarter has all the info.


You can make a keychain with it or use it as a necklace or even hang it in a picture frame. The medallions will have your name engraved and will be signed by me.



ArtPrize 2011; FACE ME; Artbeing Update

Hey, everyone! There is a lot happening and I can't keep up. I'll give you all the info I have up to this date. Look for more great photos and video Labor Day weekend.
You can see almost the whole skeleton here. The head is missing! But there will be a lot more added to this structure. You can see how it will be about 6 1/2 feet tall.
Working on the legs. See the red hot iron below. This is how we're bending it. The feet are being welded here.


The forge is fired up until the coals are nice and hot. Then the iron is placed in the coals until it's red hot and bendable. You will see lots of twists and bends in FACE ME.


ArtPrize 2011; FACE ME; Artbeing

Want to know what I'm making for ArtPrize this year? It's going to be a kinetic sculpture so the whole thing will be based on metal parts with moving joints. Here's some of the cool stuff I get to choose from. This is all stainless steel and is being dismantled by Melching Demolition. They are donating anything I can use for the sculpture. 


 Here's some of the guys at Melching, Nick, Brock and Chris. They are always happy to help.



Here's some of the stuff I will be using to make FACE ME; Artbeing. It's stainless steel and will also be used to make the  medallions which were cut from some big sheets at the scrap yard. I used a grinding wheel to smooth the edges and polish them up. Then I used  Maggie's drill press to punch the holes. You get one if you support the cause on Kickstarter.



Here I am at Melching Demolition. The wrecking ball is what they use to demolish buildings, some of what's left you can see here. I had the pleasure of choosing anything!


Drawings of the sculpture are all you get to see now but I will be posting lots of pictures of the progress starting tomorrow. There will be a lot happening in the next few weeks with only about 5 weeks to go before ArtPrize begins.





ArtPrize; The Story of Rain, chapter 9


ArtPrize Sculpture Dedicated at Mary Free Bed Rehabilitation Hospital

By Rachael Recker | The Grand Rapids Press
 Rick DeVos, founder of ArtPrize, and Anna Donahue wait to speak at the dedication ceremony.
Anna Donahue, far left, talks about her sculpture, Rain, at Mary Free Bed.

GRAND RAPIDS -- A CAT scan at age 1 revealed that now-28-year-old Emily Donahue suffered a stroke at about 2 months old. A bronzed ArtPrize sculpture depicting Donahue, dedicated Monday morning to Mary Free Bed Rehabilitation Hospital, reveals a sense of hope and inspiration to future patients.

"I felt that any patient to be wheeled into this area ... they would think, 'If she can do it, I can do it," said Betsy Mathiesen, a Mary Free Bed Guild member who headed the fundraising campaign on behalf of the guild to purchase the $18,000 ArtPrize '09 sculpture with private donations.

"Rain," created by Emily's aunt -- Grand Rapids artist Anna Donahue -- was bronzed and re-positioned in the same location in which it was displayed during the inaugural art competition. Mary Free Bed will be an ArtPrize venue again this year.

The outdoor sculpture of a young female holding a leaf in her bent right arm -- Emily's paralyzed arm -- can been seen on the lawn off the hospital's main entrance off Wealthy Street.  Emily, of Comstock Park, received physical therapy treatments at Mary Free Bed at age 3, 8 and 16.

"I think it's more beautiful," Anna Donahue said about the sculpture being bronzed -- a $10,000 endeavor -- for its permanent home at the hospital. "The coloring is more natural."
ArtPrize founder Rick DeVos spoke at the dedication, expressing surprise at the stories that continue to emerge from the not-yet-year-old art competition.

"It's amazing to see everything that has come out of it," DeVos said. "I'm just happy that we could be a catalyst for this."

 For more information, visitartprize.org or The Press' ArtPrize site.

ArtPrize 2011; My Venue

My kinetic sculpture for ArtPrize 2011 will be exhibited at The Calder Plaza Building on Monroe Avenue. The venue is using the wide sidewalk space in front of the building for three different artist's sculptures. This sounds like a great location because it is right across the street from DeVos Hall which will be a busy venue for ArtPrize.

The concept for this kinetic sculpture is about spending face time with one another. We are losing touch physically because of modern technology and the ease of communicating. My design will include the use of kinetics for movement in the hands and face of this life size sculpture of a person. The body will be industrial and the hands and face will be casts from a live model.

Artists are now matching up with venues and by the end of June there should be at least 2,000 artists placed. Then we have a couple of months to do the final work on our art pieces for display in September.




Madame Gamborota's Art Critique


The town of Assisi, where everything is covered in stone and marble. My first impression was, "What a dreary looking town. There's not much green here and it looks like everything's covered in cement." It wasn't tourist season either so there were very few people around.

 I remember one old staircase we climbed that was worn with a deep curve on every step. It was solid marble and 1,000 years old. How many feet had climbed up and down those worn treads?

The steps led to the apartment of an American lady who had lived in Assisi since World War II. She was someone who had a deep appreciation for the art all around her. The apartment had a single window up high on a wall in the kitchen with a view of a stone wall. The rooms were spacious and we all sat down on the furniture and the floor as Madame Gamborota poured us each a small shot glass of Gamborota.

She told the story of what that name means. She had a limp and complained of rheumatism so she went down to the local storekeeper to ask for a remedy. The shopkeeper said, " Oh Senora Gamborota, you have Gamborota in your leg and you need to drink a little Gamborota to ease the pain." It's all Italian, of course, so I still don't know the exact translation of what that means. The important thing was that she was in the right place. Her name meant something there, her malady had the same name and there surprisingly was a remedy, with the same name. She always kept a bottle of the liqueur handy.

Then Madame Gamborota talked about the color of several stones and a small marble sculpture that sat in the center of the room. For some reason everyone looked at me when the questions began. I was not sure how to respond but did my best to answer her color quiz. She very politely explained how I was all wrong and challenged us to see color everywhere and in everything. Gray and brown have underlying hues that the average person doesn't really notice but it was important for the artist to see color.

Later as we were walking back to the bus I thought about what colors I could see in the gray stone that covered absolutely everything. The sun was setting and now the missing hues showed up.

It's easy to see the small town of Assisi in one day and you can enjoy walking it's marble covered streets and staircases.  Assisi info for the traveler tells you all about what to expect.

ArtPrize #3 Kinetic Sculpture


This year I debated about entering ArtPrize but gave in to the creative urge to do whatever I want. Usually I am designing and creating on commission so I don't always get to do everything exactly the way I would like. ArtPrize gives me the opportunity to really express myself and have fun with the creative process.

Here are some sketches I came up with to illustrate my concept. I am using my past ArtPrize sculptures as a springboard for this new project.



The hands and face will be made of ceramic or plastics but ideally I would like to use bronze. 


The kinetic sculpture, Face Me, stands about 6
feet high and the structure or body is made of steel. There are rotating joints that connect the
moving parts to the steel. The hands and face are designed to resemble reality and have the same anatomical movement of a live person. The hands and face rotate 180 degrees on an axis and the steel arms are also jointed at the elbow to add more movement. The only restriction will be at the elbows to prevent the hands and face from touching one another. This restriction is part of the message of the piece; the face being separated from physical touch and the hands also being “tied.” The original design calls for ceramic hands and face but I will adjust that to urathane plastic or bronze if the sculpture is exhibited outdoors.

The viewers on the right are about the same height as the sculpture on 
the left that I have named "Face Me."